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PIETER WISPELWEY
Sunday 27th February at 20:00 h. Iglesia de Santa Eufemia la Real del Centro
-Free admission-
Biography and programme


"An outstanding cellist and a really wonderful musician"
Gramophone
Pieter Wispelwey is among the first of a generation of performers who are equally at ease on the modern or the period cello. His acute stylistic awareness, combined with a truly original interpretation and a phenomenal technical mastery, has won the hearts of critics and public alike in repertoire ranging from JS Bach to Schnittke, Elliott Carter and works composed for him.
Born in Haarlem, Netherlands, Wispelwey's sophisticated musical personality is rooted in the training he received: from early years with Dicky Boeke and Anner Bylsma in Amsterdam to Paul Katz in the USA and William Pleeth in Great Britain. In 1992 he became the first cellist ever to receive the Netherlands Music Prize, which is awarded to the most promising young musician in the Netherlands.
Wispelwey's career spans five continents and he has appeared as soloist with many of the world's leading orchestras, including the Boston Symphony, Los Angeles Philharmonic, Dallas Symphony, St Paul's Chamber Orchestra, NHK Symphony, Yomiuri Nippon, Tokyo Philharmonic, Sapporo Symphony, Sydney Symphony, London Philharmonic, Hallé Orchestra, BBC Symphony, BBC Scottish Symphony, Orchestra of the Age of Enlightenment, Academy of Ancient Music, Gewandhaus Orchester Leipzig, Danish National Radio Symphony, Budapest Festival Orchestra and Camerata Salzburg. Conductors he has collaborated with include Ivan Fischer, Esa-Pekka Salonen, Herbert Blomstedt, Yannick Nézet-Séguin, Jeffrey Tate, Kent Nagano, Sir Neville Marriner, Philippe Herreweghe, Vassily Sinaisky, Vladimir Jurowski, Paavo Berglund, Louis Langrée, Marc Minkowski, Ton Koopman, Libor Pesek and Sir Roger Norrington.
With regular recital appearances in London (Wigmore Hall), Paris (Châtelet, Louvre), Amsterdam (Concertgebouw, Muziekgebouw), Brussels (Bozar), Berlin (Konzerthaus), Milan (Societta del Quartetto), Buenos Aires (Teatro Colon), Sydney (Utson Hall), Los Angeles (Walt Disney Hall) and New York (Lincoln Center), Wispelwey has established a reputation as one of the most charismatic recitalists on the circuit.
Pieter Wispelwey's discography, available on Onyx and Channel Classics, displays an impressive line up of over twenty recordings, six of which attracted major international awards. His most recent releases include Walton's Cello Concerto (Sydney Symphony/Jeffrey Tate), Prokofiev's Symphonie Concertante (Rotterdam Philharmonic/Vassily Sinaisky), the Britten Cello Symphony – all recorded live - and a unique set of works by Schubert for cello and piano (Fantasy D934, Grand Duo D574, Arpeggione Sonata), recorded on period instruments.
Pieter Wispelwey plays on a 1760 Giovanni Battista Guadagnini cello and a 1710 Rombouts baroque cello.
Programme
Part I (45 min)
Suite nº 1 en Sol maior, BWV 1007 - Johann Sebastian Bach (1685-1750)
Prelude
Allemande
Courante
Sarabande
Menuet I & II
Gigue
Suite nº 1, op. 72 - Edward Benjamin Britten (1913-1976)
Canto primo
Fuga
Lamento
Canto secondo
Serenata
Marcia
Canto terzo
Bordone
Monto perpetuo e Canto quarto
Part II (35 min)
Suite nº 2 en Re menor, BWV 1008 - Johann Sebastian Bach (1685-1750)
Prelude
Allemande
Courante
Sarabande
Menuet I & II
Gigue
Suite nº 1 en Sol maior, op. 131 - Joseph Maximilian Reger (1873-1916)
Präludium-Vivace
Adagio
Fuge-Allegro


